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Matt wears a condom in the vagina penetration scene but he has the distinction of being the first man in a mainstream British film to be shown ejaculating. What I did not expect was the tenderness with which those scenes were directed and played out.
They had a sincerity and depth of feeling that is rarely if ever seen in pornos, and whilst I know the actors are only doing their job and were not a couple in real life at the time, both seem completely at ease with the raw intimacy involved and even display significant on-screen chemistry.
At Any Price, a US drama about the relationship between a father and his rebellious son, has a scene in which a young woman looks through a pornographic magazine and reveals a bare-breasted woman engaged in oral sex.
Their relationship is depicted throughout in a graphic and unflinching fashion, both psychologically and physically.
The BBFC has permitted comparable explicit images in a number of previous features at the '18' level (eg L'EMPIRE DES SENS, 9 SONGS, SHORTBUS and Lars von Trier's earlier film, THE IDIOTS) where it has been clear that the purpose of the work - and the individual images in question - is not simply to arouse viewers but to illustrate characters, relationships and themes.
At '18', the BBFC's Guidelines state that the more explicit images of sexual activity are unlikely to be permitted unless they can be exceptionally justified by context and the work is not a 'sex work'.
A 'sex work' is defined as a work whose 'primary purpose is sexual arousal or stimulation'.
However, the emphasis is on the character watching the film and the briefly seen sex illustrates the character's sexual obsession, rather than being the focus of the scene. A woman employs a gay man to spend four nights at her house to watch her when she's unwatchable . This film is as much about words and ideology as the imagery is about fragility, beauty and censorship.